The only problem is, the killer may still be on the loose. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself. And no one seems to know what happened to the editor she was hired to replace. Even the actors have figured out something is wrong. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.īut she soon discovers that on this set, nothing is as it's supposed to be-or as it seems. Whatever the script is, her job is the same. It's not much to go on, but the specifics don't concern Marissa. Marissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary-and legendarily demanding-director Tony Rees on a feature film with a familiar logline. "Funny, fast-paced, and a pleasure to read." -The Wall Street JournalĪn egomaniacal movie director, an isolated island, and a decades-old murder-the addictive new novel from the bestselling author of Dear Daughter A Wall Street Journal, Seattle Times, and CrimeReads Best Mystery Book of 2020
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